Nature

Nature (2020)
Chamber music for (bass) clarinet
Musicians: Fie Schouten bass clarinet, clarinet, bassethorn
Jelte Althuis bass clarinet, Tatiana Koleva percussion, Eva van de Poll violoncello
Music by Calliope Tsoupaki, Olivier Messiaen, Jonathan Harvey, Kaija Saariaho, Georges Aperghis, Michael Finnissy
Label: SOL Classics (SOL 010)

 

Nature continues to excite the passions of some human beings.
Composers have often responded to its colourful sound-palette.

The compositions on this CD belong together since each work is inspired by nature or natural phenomena. Each track on this CD guides the eye upwards: from the sea (Tsoupaki), to the birds in the sky (Messiaen), to the cirrus clouds (Harvey), to the moon (Saariaho) and finally to the stars (Aperghis).

1 Calling (2015) – Calliope Tsoupaki
Fie Schouten bass clarinet
2 Abîme des oiseaux (1940) – Olivier Messiaen
Fie Schouten bassethorn
3 Cirrus Light (2012) – Jonathan Harvey
Fie Schouten clarinet
4 Oi Kuu (1990) – Kaija Saariaho
Fie Schouten bass clarinet, Eva van de Poll violoncello
5 Façade-Trio (1998) – Georges Aperghis
Fie Schouten, Jelte Althuis bass clarinet, Tatiana Koleva percussion
6 Mankind ReMix (2020) – Michael Finnissy
Fie Schouten – bass clarinet

Order CD? send an email to info@bassclarinet.nl (€15+postage)
Buy download? Via Bandcamp

Reactions/reviews:
Calliope Tsoupaki: you create a magical space with your sound, almost plastic, tangible and sensual
Anna Harvey (daughter of Jonathan Harvey): you have really captured that spacious, other-worldly quality which I love about this piece
Georges Aperghis: “..c’est un grand plaisir de vous écouter la (Façade-Trio) jouer…”
Thea Derks: great performance & recording technique
TheWholeNote (Max Christie) febr21: Fie Schouten makes the bass clarinet ring with a gorgeous sound….Messiaen.. at a perfect fourth below the original pitch, desolation is powerfully rendered by the lower voice…Saariaho.. beautifull…Aperghis…stunning… sounds like a dialogue of mad twins..Finnissy…right in Schouten’s wheelhouse: singing tone and powerful expression.”

Calling was composed by Calliope Tsoupaki (NL/GR) for me in 2015. The work is a musical expression of  the fight against whaling in the exhibition of visual artist Fiona Tan. It is a lamento in which the sea, looking out over the ocean, plays an important role and personal sadness is expressed as well. Abîme des oiseaux from the Quatuor pour la fin du temps by Olivier Messiaen (F) is one of the most important works from the 20th century for clarinet, dealing with the inscrutability of birds. The piece is partly désolé (disconsolate) and sometimes agile, in which the birds clearly make themselves heard. I have chosen to play it on the sonorous, yet slender and flexible basset horn. Cirrus Light by Jonathan Harvey (UK) was composed during the last summer of Harvey’s life. He sat in his wheelchair and watched the skies with drifting stringy clouds, high and slow. These cirrus clouds with icy crystals, are clearly expressed in the music. In Oi Kuu by Kaija Saariaho (FI) other nebulae and clouds can be heard, perhaps nebulae of the moon. The flageolets of the cello and the multiphonics of the bass clarinet are interwoven in the duo entitled ‘oh moon’. Façade-Trio by George Aperghis (F) has not been recorded nor performed outside France before. It is a theatrical work in which the instrumentalists sit in a triangle. The percussion placed in the middle with two kick drums, left and right, flanked by bass clarinets. They relate to each other like stars in a constellation. For the bass clarinets the sounds go from the lowest note to unusual heights. The textures are sometimes as dense as the Milky Way…

Finally, the bonus track Mankind ReMix that Michael Finnissy (UK) composed for me in August 2020. The composition is musically linked to the work he composed in 2018, commissioned by the Basklarinet Festijn Tussen Rede en Gevoel. Finnissy’s comment on the solo: “it’s about human nature, and mankind as cultivator of Nature”.

Fie Schouten
English translation thanks to Gudrun Klein, Sonja Heimann

credits:
recording Arjan van Asselt track 4,5; Andreas Fröba track 1,2,3,6
Orgelpark Amsterdam, The Netherlands track 4,5
& SBA+C, Italy track 1,2,3,6
recorded in September 2020
editing, mixing and mastering Arjan van Asselt
photos Andreas Fröba
portrait photo Fie Schouten Elisabeth Melchior
artwork Liluc design
idea & realisation Fie Schouten